Full Fresno State theater season announced

Gina Sandí-Díaz, a new faculty member, will direct ‘Lydia’

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Photo / University of Kansas

Fresno State’s theater department today announced its complete 2017-18 season — and in the process introduced its newest tenure-track faculty member to the community.

Gina Sandí-Díaz, a theater instructor and doctoral student at the University of Kansas, will direct Octavio Solis’ “Lydia” March 16-24. The other five shows in the season were previously announced, with a “TK” indicated for the performance slot that “Lydia” now fills.

From her Linked In page:

Gina Sandí-Díaz is a PhD candidate in the Department of Theatre, University of Kansas. She is also an actor, director and theatre for social change facilitator. Originally from Costa Rica, she has done extensive Applied Theatre projects in vulnerable communities including prisons, psychiatric institutions and earthquake relief areas. Her academic interests include Performance Studies, Latin American Theatre and Performance, Latin@ Theatre in the U.S. and Theatre for Social Change.

With this new hire, Fresno State appears to be putting a new emphasis on Latino theater, which is a welcome development for the theater department and the surrounding community.

The rest of the season:

Sept. 29-Oct. 7: “A Particle of Dread (Oedipus Variations),” by Sam Shepard. Directed by J. Daniel Herring.

Oct. 27-Nov. 4: “Native Son,” by Nambi E. Kelley, based on the Richard Wright novel. Directed by Thomas-Whit Ellis.

Dec. 1-9: “The Two Gentlemen of Verona,” by William Shakespeare. Directed by Brad Myers.

Feb. 16-24: Contemporary Dance Ensemble, Kenneth Balint, artistic director.

May 4-12: “A Streetcar Named Desire,” by Tennessee Williams. Directed by Kathleen McKinley.


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StageWorks star power

Annual ‘Theatre Under the Stars’ fundraiser moves to the Fresno Art Museum

It’s been a little chilly at night the past few weeks, (and how glorious that has been), but if the weather forecast holds up, Saturday is shaping up to be downright toasty. The plus side to that: It will make for a perfect outdoors evening for “Theatre Under the Stars,” the annual StageWorks Fresno fundraiser.

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A scene from last year’s ‘Theatre Under the Stars.’ Photo / StageWorks Fresno

Here’s a rundown:

The event: Now in its third year, this is StageWorks Fresno’s most important (and only) fundraiser of the year. It’s being held in the sculpture garden of the Fresno Art Museum.

The backstory: For the first two years, the event was held in the garden of Deb & David Reuland. “Having outgrown the space, we are extremely excited to be moving to the museum,” says StageWorks’ Jennifer Lewis, the company’s business manager. Last year’s event raised more than $21,000, which helped fund the 2016 season.

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For ‘Cinderella’ opening, a princess diary

Ashley Taylor (or that’s ‘Lady Ashley’ to you) offers 5 things to know about the touring Broadway musical

THEATER PREVIEW

For many years, the Fresno-area theater community was blessed with the presence of Ashley Taylor. She was known for many things, among them: 1) her terrific voice; 2) her warm and generous stage presence; and 3) her complete and utter fixation with All Things Royal. I became aware of Ashley’s passion for princesses gradually over time — a Facebook post here, a genuflection to the Disney canon there — and knew that if I ever needed to call on someone with expertise on anything to do with tiaras, she’d be my source.

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Curbside palace service: Brian Liebson, Tatyana Lubov and Arnie Rodriguez in ‘Rodgers + Hammerstein’s Cinderella.’ Photo / © Carol Rosegg

Ashley (yes, she is on a first-name basis with this blog) now lives in a land of highrise castles called Manhattan and goes to local theater there (um, Broadway) on a regular basis, but she’ll always be connected to the hamlet of Fresno’s theater scene. Which is why I asked her to help me preview the national tour of “Rodgers + Hammerstein’s Cinderella,” which opens Tuesday, May 16, at the Saroyan Theatre. (I also asked her to give us a bonus royal update on Broadway’s new “princess hit,” the musical “Anastasia.”)

She tells me:

It’s time to break out the tiaras! I saw the show twice on Broadway and was completely enchanted (pun intended). So if you’re going, or thinking about going, here are five things to know. (No spoilers, obviously. I’m not like that).

Take it away, Ashley:

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An important review for Mai Der Vang

The New Yorker praises Fresno poet’s ‘Afterland,’ a piercing look at the Secret War in Laos

Let’s take a moment and revel with Fresno’s Mai Der Vang, whose poetry continues to get the kind of career-boosting national attention that could amplify her into a major voice. The latest pronouncement is a laudatory review in the New Yorker.

Critic Dan Chiasson makes Vang’s new book, the haunting and powerful “Afterland,” the leading item in a roundup of two “remarkable, virtuosic collections from young poets.” Vang’s book, published by Graywolf Press after she won the 2016 Walt Whitman Award, the nation’s most valuable first-book prize for a poet, is a complicated reflection on the “Secret War” in Laos during the Vietnam War era.

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A featured spread in The New Yorker. Photo / Shane Moreman

When I interviewed Vang in April when “Afterland” was released, I asked her if the title alludes to ancestors in the Hmong perception of life after death. Or does it have to do with refugees traveling to a new home?

Her reply:

I think “Afterland” can be any place, terrain or geography in the aftermath of a crisis or conflict. It can be an individual experience or a collective experience rooted in a people’s historical memory. It certainly has to do with the after-place of the refugee, but it also has to do with the after-place of that post-war country from which the refugee has just fled. And in the obvious sense, I found myself also exploring the after-place of the spirit.

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A new Dolly? Bette on it

As Broadway revival album is released, a look at 5 versions of the title tune

Bette Midler has been wowing audiences on Broadway for weeks now in the much ballyhooed revival of “Hello, Dolly!” Now, starting today, we on the left coast get a chance to hear her sing the famed title tune on all digital platforms, including iTunes.

After listening to the new version, I decided to rank some well-known Dollys in terms of that song:

1. CAROL CHANNING: No matter who comes along, even the Divine Miss M herself, can surpass the gravelly tones of Channing, for whom “Hello, Dolly!” became her signature tune. Her rendition of the song is simply baked into my perception of the essence of Dolly Levi. I remember as a kid listening to the Channing-as-Dolly recording and thinking: “But she can’t sing!” As the years went by, I began to realize that singing for the musical theater isn’t always about technical perfection but about character and distinctiveness. Adding some loyalty points for me is the fact I got to meet Channing when she performed in Fresno years ago.

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Bette Midler in Broadway’s ‘Hello, Dolly! Photo / Julieta Cervantes

2. BETTE MIDLER: Yes, it’s Bette, all right, in all her glory. But for those expecting a va-va-voom blast of Midler, the title tune comes across as more relaxed and carefree than I would have expected. Unlike Channing, whose sheer force of personality is enough to bowl the average listener over, Midler plays it more on the coy side, even a little reserved. I like her interpretation a lot.

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Blues period

I’m giving away a pair of tickets to the Fresno Philharmonic’s jazz season finale at the Saroyan Theatre

The Fresno Philharmonic has finished up its search for a new music director, and all that’s left is an official announcement. After six memorable concerts featuring some of the greatest works of classical music, the orchestra is ending on a slightly different note:

Jazz.

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Byron Stripling performs Saturday in ‘What a Wonderful World.’ Photo / Fresno Philharmonic

Saturday’s finale pops concert is titled “What A Wonderful World: A Tribute to Louis Armstrong” and features renowned trumpeter and singer Byron Stripling, a soloist for the Boston Pops and a PBS star. You’ll be able to catch such favorite tunes as “Hello Dolly,” “St. Louis Blues,” “Ain’t Misbehavin” and “When the Saints Go Marching In.”

‘What a Wonderful World: A Tribute to Louis Armstrong,’ 7:30 p.m. Saturday, May 13, Saroyan Theatre. $25-$79

The orchestra will be conducted by Chelsea Tipton, II, music director of the Symphony of Southeast Texas and principal pops conductor of the New Haven Symphony.

Two important things to mention:

• I’m giving away a pair of tickets (orchestra Row H) to the concert. To enter, leave a comment on this Munro Review post telling us your favorite Louis Armstrong song. (Or, if you’d prefer, just tell us why you want to go to the concert.) I’ll pick a winner at random and notify via email. You’ll be able to pick up your tickets at Will Call. Deadline to enter is 3 p.m. Friday.

• In a fortuitous twist, several great jazz events in Fresno all came together on the same weekend. Along with the Fresno Philharmonic concert, there’s a Fresno Filmworks screening of the movie “Chasing Trane” (5:30 and 8:30 p.m. Friday, Tower Theatre); and “Milestones on Fulton,” the concluding concert of the Milestones Youth Jazz Workshop (2 p.m. Saturday, Frank’s Place). Musicians from the workshop will perform in the lower lobby of Saroyan Theatre following the Fresno Philharmonic concert.


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We are Fresnito

Juan Felipe Herrera celebrates the end of his term as U.S. poet laureate with a memorable Fresno State concert

CONCERT REVIEW

The event: Fresno’s Juan Felipe Herrera, the 21st poet laureate of the United States, was back in town Tuesday with the Fresno State Chamber Singers to reprise the closing concert at the Library of Congress that marked the end of his term.

The man of the hour: Herrera has a special knack when dealing with official occasions and the various rituals afforded an artist of his stature. He knows how to never underplay the dignity of a ceremonial moment. He can come across as refreshingly relaxed and informal, but there’s a certain gravitas and authority there, too, a reflection of his ability to get along with the establishment but also give it a bit of a hard time. On this evening at the university’s Concert Hall, he’s dressed in a casual bone-colored sports jacket, bright plaid shirt and a cheerful white hat.

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Juan Felipe Herrera with the Fresno State Chamber Singers at the Library of Congress on April 26, 2017. Photo / Facebook

The format: Most poets treat a reading as something to do in a single voice. Herrera wanted a choir. Benjamin Boone and Kenneth Froelich, both Fresno State music composition professors, teamed up with the poet, setting the words to music. Then the university’s Chamber Singers, under the direction of Cari Earnhart, brought the resulting songs to life at the Washington, D.C., concert. “This is a dream that I had as a child,” Herrera tells the audience before the Fresno event begins. “It’s about standing up, facing the people, giving a voice to the people.”

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