Rogue reviews: ‘Confessions of a French Interpreter,’ ‘Barn Identity,’ ‘Damn Fine Magic’
Editor’s note: Fresno’s most recent incarnation of the Rogue Festival might be over, but the reviews keep coming! TMR’s Heather Parish attended these three shows on the second weekend and wanted to note them for posterity.
By Heather Parish
“Confessions of a French Interpreter”
Natacha Ruck’s “Confessions of a French Interpreter” offers a captivating and often humorous exploration of the complexities of cross-cultural communication. From the start, Ruck charms with her easy rapport, engaging the audience with tales from her time as an interpreter at prestigious film festivals like TIFF and the San Francisco International Film Festival. Through her experiences, she deftly highlights the sometimes murky ethical terrain interpreters must navigate, particularly when the language is ambiguous, the intent questionable, and the stakes high.
Ruck’s storytelling skill is exceptional. Her expressive face and playful French accent make her a joy to watch, as she sensitively portrays the characters in her stories. She shines in making us empathize with her role as a mediator in moments where language barriers disguise cruelty and malicious intent.
However, the performance could benefit from more precise theatrical direction. Some of the physical movements—standing, sitting, crouching—slow the flow of the storytelling and could be streamlined to maintain momentum.
Nevertheless, “Confessions of a French Interpreter” is an insightful piece that blends humor with poignancy, offering valuable lessons on the nuances of human communication and how we are all responsible for how we connect. It is a strong, enjoyable showing from Ruck, with room to grow.
“The Barn Identity”
Erika MacDonald’s “The Barn Identity” is a delightful and unexpected treat, combining whimsy, imagination, and deep emotion into a truly theatrical storytelling experience. From the get-go, she strikes a memorable pose—camouflage dress, camo fan, and an amusing fascinator—before introducing herself as the “GI Jane Austen.” Her effervescent personality shines through, with an elastic face and a voice that stretches out vowels in a playful, engaging way.
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MacDonald insists that the topic of the show is “Falling Down Barns,” which sounds rather eccentric, but she masterfully weaves it into a metaphor for mental health and the quest to understand one’s identity. The story is anything but clinical, as MacDonald crafts it with a uniquely theatrical and lyrical blend of storytelling that’s full of heart.
Adding to the show’s charm is the musical underscoring by Paul Strickland, which complements the performance perfectly, enhancing its emotional depth without ever overpowering the narrative.
“The Barn Identity” is a must-see for anyone looking for an imaginative, poignant exploration of the structures that shape who we are. MacDonald’s performance is a gem that leaves a lasting impression, balancing humor and vulnerability in a way that’s simply enchanting.
“Damn Fine Magic”
Tim Mannix and Christopher Bange’s “Damn Fine Magic” is a delightful surprise for anyone who, like me, isn’t usually drawn to magic acts. The duo has terrific chemistry, blending humor and magic in a way that’s both clever and family-friendly. Their witty anecdotes and jokes are sharp yet accessible, and they manage to make magic almost seem… sexy!
With an old-Hollywood flair, Bange channels Buster Keaton with his masterful clowning skills, while Mannix brings a smooth Bing Crosby-like charm to the stage. This dynamic pairing not only adds a touch of class but also enhances their engaging showmanship.
Of course, the magic itself is a marvel—fun, mysterious, and full of intrigue. But, ultimately, the real magic of “Damn Fine Magic” lies in the dynamic between Mannix and Bange. Their charisma and skill at keeping the audience hooked make this a performance that’s as entertaining as it is captivating.
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Jackie Ryle
Thanks so much for these delightful reviews. They increase both depth of understanding and recall of enjoyment. I missed the magicians, but caught both Erika and Natacha. I loved the Barn Identity and got the concept, to which you added some good depth. I enjoyed Natacha but knew there was something a little off and you captured it perfectly. I much appreciate your knowledgeable insights and how you deftly express them. A joy to read