‘Wings of the City’ sculpture walk at Fresno State: a contemplative morning on an inspiring campus
By Heather Parish
The “Wings of the City” sculpture installation at Fresno State’s campus made its debut last August, but Jorge Marín’s sculptures come alive during the winter solstice when the sun’s low rays mingle with gray skies and the landscape takes on a sepia hue. As the campus trees thin out, they offer a clearer view of the monumental winged figures—fallen demigods and angels flying too close to the ground¹ —rendered in bronze.
Last month, with my camera, sketchbook, and portable stool in hand, I ventured to the campus at sunrise to engage with the pieces in the quiet, contemplative light of a winter morning. As I did so, the powerful intersection of art, nature, and the human spirit deeply moved me. Surrounded by the sculptures’ graceful forms, I reflected on the connection between the works and their campus setting—an open space for learning and creativity that Fresno State freely shares with the community.
As I sketched and photographed the winged monuments, I was reminded of the profound potential of public art — to not just provide art to anyone who wishes to experience it but also inspire creation in the community. This is not simply a collection of sculptures open to all; it’s an invitation to all to interact with art in a meaningful way, to use it as an entry point into the ongoing dialogue between the art, the viewer, and the world around us. Through this sculpture walk, I realized that the true gift of this installation is not just the chance to observe but also to create and add my small, learning voice to the conversation.
Sculpture Walk: Wings of the City
Each sculpture in Wings of the City at Fresno State’s campus offers a unique exploration of the human form and spirit and its intersection with the natural world. The varying expressions of strength, balance, vulnerability, and transformation, each inviting a different introspective response, struck me as I engaged with these pieces.

At the south end of the exhibit, a striking winged soldier crouches, poised for action. His defiant posture and shifting facial expressions—challenging from the front, introspective from the side—drew me into a dialogue about human potential. Depending on perspective, his gaze seemed to capture the tension between readiness and restraint.
The figure of a gymnast, perfectly balanced atop a globe, evokes humanity’s potential and its destructive tendencies. The striking 90-degree angle and the pointed mask, reminiscent of plague doctor masks, inspired a sense of ironic fragility. The acrobat’s precarious balance embodies the delicate equilibrium we strive to maintain—poised between greatness and collapse.

This incomplete winged figure in a crouching pose conveys a sharp contrast between the body and wings. The fragmentary body—its face and limbs dissolving, apparently ravaged by time—speaks to mortality, while the wings imply a transformation. I was fascinated by the figure’s eyes, which offer different perspectives depending on where you stand, reinforcing the idea that time’s impact on us is relative.

Inspired by the Perseids, the meteor shower named for Perseus and the idea of “falling stars”, this figure, also balanced on an orb, exudes a relaxed, almost contemplative energy. The angel’s resting posture, wings slightly outstretched, suggests moments of recovery before the next great feat. It felt as if the figure was an athlete-warrior recovering from a battle and an archangel observing the Earth below. The celestial quality of the piece evokes a sense of cosmic solitude, as if suspended between the divine and the earthly.
The most emotionally charged of the works, this sculpture captures an intimate, almost sacred embrace between a winged figure and a human woman. The tender connection feels like a moment of solace amidst exhaustion, its grand scale amplifying its emotional depth. The figures called to mind Michelangelo’s Pietà, evoking the human need for compassion. This embrace speaks to the power of shared empathy in the face of adversity.
Each of these sculptures offered me a chance to reflect and also to engage in my own art practice as a novice learner in the visual arts. My meager sketches are hardly accomplished work. But they do offer a way for me to intentionally consider the ideas of the art as I transfer the figures onto a page. The practice provides the time, space, and focus to engage more deeply with the art in front of me.
Engaging with art and nature on campus
One of the most striking features of Fresno State is how art integrates with the campus landscape. As I wandered through the Wings of the City exhibit, I was reminded how many local photographers, like Fresno State librarians David Drexler and Kat Koziar, have found inspiration in this space. Both Drexler and Koziar approach the sculptures from their own distinct photographic styles, capturing moments and angles that reflect their interpretations of the work. Their photographs show how the campus is not just a place to observe art but a source of creation itself.
As a location for engaging with art in public spaces, Fresno State’s campus is ideal. The campus’s park-like grounds are open to the public and feature a variety of public sculptures and murals. During weekends or breaks in class schedules, the stillness of the campus offers a unique opportunity to connect with the environment in a way that’s harder to experience during the bustling academic year. And with free parking during the weekends and breaks, it’s the perfect time to explore the public art installations and natural beauty the campus offers.
The campus is also an arboretum, and home to nearly a dozen unique gardens, copses, and water features, making it an ideal spot for nature sketching or reflective walks. The gardens, with their varied plant life, create a peaceful atmosphere perfect for artists looking to capture the essence of the season. Whether sketching the lines of leafless trees or the delicate reflections in fountains, the natural beauty of the Fresno State campus provides endless inspiration for artistic exploration.
All for free.
Together, public art like “Wings of the City” and local art enthusiasts can create a rich tapestry of learning and ideas, provided they engage not just visually but emotionally and philosophically with the art offered to them in their community.
The “Wings of the City” sculptures by Jorge Marín will be on Fresno State’s campus through summer 2025 if you would like to view them in different seasons. They are located on the Maple Mall, just off the Maple Avenue roundabout. Parking on campus is free after 4 p.m. on Fridays, on the weekends and on State holidays throughout the year.
________
¹ As Willie Nelson might say



Jackie Ryle
What sheer delight to read this story, Heather. I have seen the exhibit intentionally and wandered by it numerous times. Now I will return with an entirely new perspective and enjoy it so much more. And have a deeper appreciation. Thank you! I love how you created the story.
Benjamin boone
Thank you for this