Options include 1821 Gallery & Studios, A Sense of Place, Spectrum Art Gallery, Gallery 25 at M Street Arts Complex, and Chris Sorensen Gallery and Studios
For a comprehensive list of ArtHop venues and shows, don’t forget to check the Fresno Arts Council roundup. ArtHop, the monthly open house of galleries and studios in the downtown and Tower District neighborhoods, is Thursday, May 3. Most venues are open 5-8 p.m.
Both artists are fascinated with modernist architecture, and as this show enters its second ArtHop, you don’t want to miss their works in juxtaposition. From the gallery:
Potter’s paintings use architecture as a prism to examine symbols of power and propaganda. His idealized, pseudo-utopias are often highly seductive.
Janzen’s paintings investigate the mysterious qualities of light and space in mid-century modern interiors. Exploring the underlying tension that pervaded the time and questioning our nostalgia towards it, Janzen creates a precarious balance of anxiety and contemplation, of absence alongside the optimism of modernist thought.
Buildings and interiors can have a power all their own. (Potter’s work has always had the ability to make me feel unsettled, sometimes even spooked, which I consider very compelling.) Our lives are profoundly impacted by built environments. Both artists put the focus on place. Putting them together is a good call.
“The Crucible,” of course, is Arthur Miller’s 1953 classic play about the Salem witchcraft trials, but it can also be read as a searing allegory about McCarthyism or more generally mass hysteria in times of political unrest. The new production is set in a post-World War II small town that “feels eerily close to our own.”
Fresno State’s new exhibition of art from Avenal State Prison is a highlight of the month. Other picks include Spectrum Art Gallery, Fresno City Hall, Corridor 2122, Arte Americas and fres.co
My ArtHop picks for April include a meaningful new exhibition at Fresno State’s M Street Graduate Studios. “Insider Art: Exploring the Arts Within Prison Environments” features work from incarcerated individuals serving time at Avenal State Prison. More than 100 paintings, drawings, sculptures and other work — most created by men in prison art classes — will be on display. But this is more than a simple exhibition. It’s meant to be an immersive experience. The multimedia elements include a video of a performance by the prison’s theater group, recordings of music from the prison’s five different bands, recorded interviews with some of the artists, and a series of photographs by Fresno State professor Neil Chowdhury offering a behind-the-scenes view of prison life.
Options include Maxine Olson at 1821 Gallery & Studios, Linda Zupcic at Fig Tree Gallery, and April Grigsby at Clay Hand Studios
An exhibition of works by Kingsburg artist Maxine Olson is always worth your attention. Nine of her paintings are featured at 1821 Gallery & Studios in a show titled “It’s All About Sex.” It’s one of my picks for Thursday’s March ArtHop, the monthly open house of galleries and studios in the downtown and Tower District neighborhoods. (Most venues are open 5-8 p.m.; check the Fresno Arts Council’s site for details.)
Olson’s work in this show is mostly from the 1980s. Gallery owner Bruce Kalkowski says the paintings have a lush and magical feel, and they suggest Portuguese influences mixed with the Old Masters.
“The Visitation” features “satyrs from Rubens, and they have a real mythological look,” Olson says. “They also look a little naughty with twinkles in their eyes and a girl lying prone on the bed in the background, giving the piece a Bacchanalian tinge. The painting deals with issues of fear, innocence, cunning and dominance.”
Notes from Saturday evening’s glamorous “Trashique 2018,” in which an aircraft hanger at the Fresno airport was transformed into a shimmering creative oasis. (Except that an oasis brings to mind a desert, while this year’s show, thanks to Mother Nature, was closer in terms of topography to Arctic tundra):
My favorite piece:Kristine Doiel’s tribute to mid-century designers Charles and Ray Eames. This power couple is best known for their contributions to mid-century American architecture, furniture design, industrial design and manufacturing. Doiel’s creation, modeled with a strutting certainty by Katerina Guerrero, offered a whimsical tribute to the Eames’ artistic vision.
The materials: Doiel used plastic mattress packaging, milk containers, mesh vegetable bags, food packing boxes, magazine pages, leather and fabric upholstery swatches, rubber, rope, packing foam and cardboard boxes. She fashioned a stunning dress boasting a cheerful grid of colors and textures, along with a wide-brimmed “hat” that suggested a giant Eames wedding-cake topper — it also made me think of an immobile mobile — complete with full-sized light bulbs. (Guerrero, the model, told me that it was actually quite easy to wear.)
“Acero Picado” will be unveiled in a Monday ceremony
The City of Fresno will officially unveil its newest piece of public art in a ceremony at Mariposa Plaza at noon Monday, Feb. 26. Here are five things to know about “Acero Picado,” a beautiful addition to the downtown arts scene:
“Acero Picado” consists of three designs, each consisting of two parts. The larger pieces are 10 feet by feet. The smaller pieces are 3 feet by 8 feet. Each piece is made of inch-thick steel that has been waterjet cut in very intricate patterns, then powder-coated with distinctive colors. Benches are part of the design.
The artist is a big deal.
Gordon Huether, a Napa sculptor, has created public art installations for universities, hospitals, recreation centers, civic buildings, libraries, museums, airports, transportation centers, parking garages, and private corporations throughout the world, according to his bio. In his biggest project to date, he’s working with the Salt Lake City International Airport Department of Airports in designing, fabricating and installing multi-million dollar installations for its Terminal Redevelopment Program, which will be completed in 2020.
Pattie Wilkinson expands her artistic horizons with her take on Duchamp’s ‘Bicycle Wheel.’ Plus: You can win a pair of tickets to one of the biggest social events of the year
UPDATE: Our lucky winner is Adrienne Lucero. She gets two tickets to tonight’s “Trashique.”
ORIGINAL POST: Pattie Wilkinson didn’t think she had much in common with Marcel Duchamp when she picked him as her inspiration artist for “Trashique 2018,” the swanky Fresno Art Museum fundraiser that has emerged in recent years as a clever juxtaposition of fashion show, art history lesson, dazzling social event and recycling pep rally.
Wilkinson, who has had a long career designing trade-show displays and as a consultant in the arts and crafts industry — and is an experienced crafter herself — grew up learning to make practical things such as clothes and Christmas gifts. (She came from a family of modest means.) Duchamp, on the other hand, the famed French painter and sculptor, is known for his contributions to Cubism and his groundbreaking contributions to conceptual art. One of his best known pieces involved taking a commonplace urinal, titling it “Fountain” and in 1917 submitting it to an art exhibition. It was a moment that rocked the art world.
Win two tickets to “Trashique 2018,” which for the first year is being held in an airplane hanger. To enter this giveaway, leave a comment on this post telling us the most surprising thing you ever found in the trash. (Or, if you don’t have a good Dumpster Diver story, just tell us why you want to go.) Deadline to enter is 5 p.m. Thursday, Feb. 22.
But thanks to “Trashique,” an event featuring glamorous (if not always practical) fashions made from recycled materials, the always-up-for-a-challenge Wilkinson found herself paired with none other than the “urinal guy.”
Options include Dixie Salazar at Fig Tree Gallery, Suzanne Bertz-Rosa at Bitwise, and the new show “Kindred” at Arte Americas
Dixie Salazar turns her attention to a prominent issue in her new show at Fig Tree Gallery: global warming. It’s one of my picks for interesting sounding exhibitions in ArtHop, the monthly open house of galleries and exhibitions in the downtown and Tower District neighborhoods.
I checked in with Salazar to get a preview of “Summer 2017: Fire and Water.”
Q: How many works are there in the show? Tell us about your approach.
A: There are four quite large painted collages. They are abstract but with much perceived water imagery and fire also. I also collaged burned paper onto the pieces. I was working on this piece in the summer of 2017 and was affected at some level by all the devastation caused by natural upheavals. I work intuitively, so much of this became apparent to me after I finished the work.