Nikiko Masumoto and Brynn Saito open an innovative theater piece about Japanese-American internment camps in World War II
Nikiko Masumoto and Brynn Saito are yonsei, or fourth generation Japanese Americans. They’ve often talked about the reality that theirs will likely to be the last generation to know family members who lived and survived through the American internment camps of World War II.
In “Hold This Stone,” an innovative theater piece scheduled for just two performances this weekend (it opens Thursday, Nov. 9, at the Fresno Soap Co.), the two friends and artists collaborate to explore the ramifications of memory — and more. I caught up with Masumoto to talk about the show (which is sponsored by CURTAIN 5 TheatreGROUP) and the Yonsei Memory Project, which she and Saito founded.
Q: When you were growing up, how much did you know about the incarceration of Japanese-Americans during World War II? How old were you before you got the complete story?
In his debut book of poetry, Fresno City College alum uses boxing as a literary device
Boxing is in Joseph Rios’ blood. So is poetry.
Which makes the location for the launch party celebrating “Shadowboxing: Poems and Impersonations,” his debut poetry book, rather appropriate.
Rios will give a reading 7-9 p.m. Thursday, Oct. 19, at Heartbeat Boxing, 155 Van Ness Ave., Fresno.
“It will be my first time reading from a boxing ring,” he says.
The Los Angeles resident grew up in the Fresno area and has strong ties to his hometown. The book uses an autobiographical-style central character named Josefo, a Chicano adolescent working and becoming a poet in the farm territories of Central California. In a daring stylistic move, Rios borrows the poetic language found in boxing lore and in the “Rocky” films.
Here’s a chance to spend part of a day with a noted illustrator, author, progressive educator, activist and publisher. Maya Christina Gonzalez is the second winner of the artist-in-residence fellowship prize given by the Arne Nixon Center for the Study of Children’s Literature at Fresno State. As part of her week-long residency at the university, Gonzalez is offering a workshop using self-portraiture titled “Voice is a Revolution: Personal Healing to Change the Larger Narrative.” It is free and open to the public.
The workshop is 10 a.m.-3 p.m. Friday, Sept. 29, in Room 140 of the Kremen Education Building. Lunch is provided. A description:
Participants are asked to bring a photo of themselves. This begins the journey. Using exercises from her “Claiming Face” curriculum, Gonzalez leads people through beautiful portraits to personal stories and finally toward larger healing narratives as the day’s workshop progresses. No creative experience or proclivity necessary, only the call to attend and claim your voice.
Cambridge choir makes a stop at Fresno’s St. James Cathedral. Plus: It’s the kickoff of California Opera’s summer festival, “Angels in America” hits the big screen, and Inner Ear poetry does its thing at Bitwise.
There are two Thursday evening events this week I want to make sure you know about, so I’m offering this version of “Donald’s List” a little early. Here’s a rundown on promising cultural events for the weekend:
If you love choral music, you don’t want to miss the Thursday performance of the Selwyn College Cambridge choir visiting from England on a West Coast tour. The ensemble sings a concert titled “One Equal Light: A Celebration of European Choral Music” at St. James Episcopal Cathedral in Fresno.
Sarah MacDonald conducts the choir, which is made up 29 singers (16 female and 13 male), who are undergraduate and graduate students at the University of Cambridge. She is the first woman to hold the post of director of music in an Oxbridge Chapel. MacDonald is a longtime friend of Fresno State opera professor Anthony Radford — they were both in the Ontario Youth Choir when he was 20 — and when she knew she was coming on tour to California, she wanted to visit Fresno.
Saturday update on the CSU Summer Arts program at Fresno State: tonight’s event is an evening with Vicki Lewis
This is a roundup of news, reviews and notes from the opening week of the CSU Summer Arts program, which is back at Fresno State after a five-year absence. I’ll be updating this post as the week progresses. If you have Summer Arts tidbits or thoughts on a performance you’d like to share, email me at firstname.lastname@example.org. For the public calendar of events, click here.
An evening with Vicki Lewis
Saturday’s public event (7 p.m., John Wright Theatre) features actress Vicki Lewis, who is teaching in “The Voice Actor’s Ultimate Toolkit” Summer Arts class. Known for her roles on the TV series “NewsRadio,” “Seinfeld,” “Curb Your Enthusiasm” and “Grey’s Anatomy,” Lewis is also an accomplished Broadway veteran and voice actor.
At Saturday’s event, Lewis will be doing something similar to an “Inside the Actor’s Studio” format with a discussion of her career, video clips and an opportunity for questions.
In two books focused on the American South, a look at the Red/Blue State divide both in the present day and in a dystopian future
I love books. And because The Munro Review consists of things I’m passionate about, it seems only natural to share at least some of that love with my readers. Thus I thus offer my first “Donald’s Book Club,” an occasional feature. I’ll be writing about books that I’ve read recently — some that lots of people are talking about, others that maybe had their moment in the sun long ago. (John Updike, anyone?)
I call it Donald’s Book Club for a couple of reasons. One is that I hope that after reading what I have to say, people will share books they recommend. You can do so in the comments for this post. Some of the best book recommendations I’ve gotten are from readers.
The other is that I’d like to do a series on book clubs in the central San Joaquin Valley. My idea: I will join different book clubs on a temporary basis, read one book and gather with the club members for the discussion. Then I’ll profile the club and my experience. If you have a book club you want to nominate, send me an email (email@example.com).
By Arlie Russell Hochschild. New York: The New Press, 2016
The author is an acclaimed UC Berkeley sociologist who set forth on an earnest mission to bridge the gap between the Blue and the Red in this country. To do so she took an intensive, deep-immersion fact-finding tour of various parts of Louisiana. She didn’t disguise herself as anything but a liberal West Coast type (lots of good-natured hippie jokes), but she also didn’t try to push her own views. Instead she listened and participated — at potlucks, church services, political rallies — in an effort to get out of her liberal bubble and climb over what she calls the “empathy wall” to really get into the mindset of her fellow U.S. citizens.
The New Yorker praises Fresno poet’s ‘Afterland,’ a piercing look at the Secret War in Laos
Let’s take a moment and revel with Fresno’s Mai Der Vang, whose poetry continues to get the kind of career-boosting national attention that could amplify her into a major voice. The latest pronouncement is a laudatory review in the New Yorker.
Critic Dan Chiasson makes Vang’s new book, the haunting and powerful “Afterland,” the leading item in a roundup of two “remarkable, virtuosic collections from young poets.” Vang’s book, published by Graywolf Press after she won the 2016 Walt Whitman Award, the nation’s most valuable first-book prize for a poet, is a complicated reflection on the “Secret War” in Laos during the Vietnam War era.
When I interviewed Vang in April when “Afterland” was released, I asked her if the title alludes to ancestors in the Hmong perception of life after death. Or does it have to do with refugees traveling to a new home?
I think “Afterland” can be any place, terrain or geography in the aftermath of a crisis or conflict. It can be an individual experience or a collective experience rooted in a people’s historical memory. It certainly has to do with the after-place of the refugee, but it also has to do with the after-place of that post-war country from which the refugee has just fled. And in the obvious sense, I found myself also exploring the after-place of the spirit.