ORIGINAL POST: For the past couple of months, as organizers of the Fresno Clean and Safe Neighborhood Parks Initiative worked to gather enough signatures to quality the sales-tax measure for the November ballot, there’s been uncertainty about a public-safety tax-increase proposal floating around. If both measures qualified, would two-thirds of voters look kindly on approving not one but two tax increases? Would it come down to essentially an either/or situation: uniformed officers on the street vs. places for our kids to play?
With a City Hall announcement today, the situation got even more complicated — or a lot simpler, depending on your perspective. Mayor Lee Brand is proposing a one-half cent increase in sales tax in the City of Fresno that would fund both public safety and parks. If this measure is supported by two-thirds of the voters, it will raise between $44 and $50 million dollars a year, according to the city.
Half the money would go toward police and fire, including hiring between 160 and 200 additional new police officers, firefighters and civilian support personnel. The other half would triple the annual parks budget and go toward implementing most of the recommendations of the Parks Master Plan.
And how would funding for the arts fare? In the Fresno for Parks ballot measure — which would raise taxes by ⅜ of a cent — arts and culture would get a dedicated funding stream to the tune of an estimated $4.5 million a year. The city’s split proposal does not specifically identify arts funding, says city spokesman Mark Standriff.
“But it certainly will be considered as part of the 1/4 cent going to parks if the measure passes,” he told me.
Can Fresno’s parks/arts petition drive get enough signatures to qualify for the November ballot? Organizers are hoping a final push this weekend will put them over the top.
The proposed sales-tax increase would fund parks, arts and recreation in the City of Fresno for 30 years. A big chunk of the money would go to parks (which are desperately needed). But arts and culture would benefit greatly as well, to the tune of an estimated $4.5 million a year.
Here’s a rundown on the initiative drive:
How many signatures are needed?
The required number of signatures is 10% of registered voters, so this number fluctuates a bit, according to Natasha Biasell, a Fresno for Parks spokesperson. A rough estimate is about 24,000. As with any petition drive, organizers want to get more signatures than the bare minimum in case some are invalid. (You have to be a registered voter in the city of Fresno to sign a petition. People who live in county islands aren’t eligible.)
The temps — and the cultural scene — will be heating up in the coming weeks, and after a break, I’m ready
Stuff I won’t forget:
The goulash. The fresco-slathered ceiling of the Bucharest concert hall. The staggering heap of beat-up luggage in Auschwitz left behind by a fraction of those who lost their lives in that place of human-soul darkness. The $30 prime orchestra seats to the ridiculously good opera in Prague. The strange sight of dozens of Communist-era busts and statues exiled to an outdoor museum display in Sofia, Bulgaria. The spectacle of “Snow White and the Seven Dwarfs,” family-ballet-style, in Budapest. The kitschy appeal of Casa Vlad Dracula, a restaurant in the Transylvanian village where the world’s most famous “vampire” was supposedly born. The sweeping hilltop views of Veliko Tarnovo, once the capital of an 800-year-old nation. The cathedrals, the pastries, the 2 a.m. passport checks on the overnight trains, the monumental socialist-age buildings, the vibrant contemporary art. The jet lag.
Did I mention the goulash?
I’m back from a riveting trip to Eastern Europe, and I can’t wait to write about my adventures in detail over the coming weeks and months.
Along with other Fresno-area fans of Broadway star Audra McDonald, I let her know how I feel
Audra’s home. This time it’s going to be extra special.
The Broadway star (and winner of more Tony awards than anyone) today (Saturday, May 26) will get a key to the city and a street named after her. How cool is that? To top things off, she will sing for the first time with the Fresno Philharmonic in one of the highlight cultural events of the year.
(For those who haven’t figured out by now, I’m talking about none other than Good Company Players and Roosevelt High alum Audra McDonald, known with a first-name simplicity as “Audra” to this blog and a large number of fans throughout the area.)
To mark the occasion, I wanted to do something special, too, as a welcome.
The result is “Dear Audra.” I asked my readers to write brief recollections and appreciation letters.
I’m completely an Audra girl. I’ve seen you live three times (“Lady Day,” “Shuffle Along,” and your Modesto show) and I’ve been lucky enough to meet you when my mom and I stage-doored “Lady Day” in 2014.
Campaign to put a sales-tax increase on the November ballot is in full swing
Imagine a wonderland in which arts organizations get to divvy up $4.5 million annually in public funds to make their city a better place. What’s that, you say? You can’t quite dare to dream that big?
Go ahead. It’s possible.
If community supporters have their way, a sales-tax-increase on the November ballot will fund parks, recreation and arts programs for 30 years in the city of Fresno. Voters will have to approve it — and by a whopping 66.7 percent margin, which is a steep hill to climb. But it’s possible with a lot of organizing and hard work.
I dropped by an organizing meeting on Tuesday evening to learn more:
The scene: The meeting room at the Central Valley Community Foundation, which is helping to organize the ballot measure, was crowded with the biggest concentration of arts movers-and-shakers (and just plain enthusiasts) that I’ve ever seen.
As the Rogue Festival comes to a close, here are some thoughts from a younger audience member. Could shorter performances be the wave of the future for more than just fringe festivals? Here’s a view from one of my students in the Fresno State journalism class I’m teaching. He originally wrote this piece for a class assignment:
By Nugesse Ghebrendrias
As a millennial, going to a two-hour movie or show just doesn’t appeal to me. I might be engaged to the halfway point, but by the time intermission or the end of the film rolls around, I’m already contemplating my hasty exit. I’m not saying long films or productions are bad. I sat through all of the “Lord of the Rings” films, which, by the way, average at least three hours.
Still, I’m 24. People my age prefer more options in a shorter amount of time. We need to be stimulated, but quickly. We need to be able to experience multiple avenues to see what we like.
Luckily, the Rogue Festival offers all those things, plus beer.
Fun stuff: I don’t work at The Bee anymore and can use ‘ASS’ in a headline
Once you’ve seen a show at Fresno’s Rogue Festival (which continues through Saturday, March 10), it’s become something of a tradition for audience members to offer their own quick reviews. The Rogue website makes it easy for you to do just that. There are a couple of hard-working websites that have already posted a number of their own reviews, too: Kings River Life and Marc Gonzalez’s “The Road to 1,000.”
The performer and concept: In this one-person show, Casey Ballard plays Coco, a free-spirited foodie (though the character loathes that term) who shares her remarkable story of traveling the world in search of the “perfect dish.” What follows is part travelogue, part culinary school history class and part bizarro gourmet episode of “Black Mirror.” All the while Ballard performs in writer/director Marcel Nunis’ backyard surrounded by a bounty of ingredients and kitchen implements. As she talks, she cooks, which is pretty cool.
In some communities such as San Francisco, there’s a divide between those who work their magic inside and those who do it on the street
By William Ramirez
Kyle Elder and Chase Martin have loved magic since they were children. Magic has always seemed to love them, too, but in very different ways.
The Rogue Festival this year is hosting five magic acts. Among those acts you’ll find magicians with different performance styles. Martin is a street magician who relies on people walking by for his audiences. Elder is more a traditional magician who offers ticketed shows inside established venues.
While their styles differ, both came to magic as a refuge. Martin found it to be a way to work for himself, something he desperately needed due to his fatigue and pain caused by his congenital myasthenic syndrome, a neuromuscular transmission disorder. Elder fell in love with the art when his grandfather, who was sick with cancer, bought him a simple coin trick from a magic shop in San Francisco.
They come from different magic worlds.
Martin mastered his craft in the magic community of San Francisco, which he said has a “divided” magic scene.