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Some promising options for a busy weekend:

‘Walk in Peace’

This sounds like a beautiful event: The choirs of Fresno State and Fresno City College collaborate on the concert “Walk in Peace,” which celebrates Dr. Martin Luther King and Black History Month. Fresno State’s Cari Earnhart and Fresno City’s Julie Dana conduct. Guest artists include Mike Dana, Richard Giddens and members of the Fresno State Jazz Ensemble. walk in peace If you’re a fan of choral music, this is a chance to hear two strong collegiate music programs for the price of one! Details: 7:30 p.m. Friday, Feb. 9, Fresno State Concert Hall. Tickets are $5.

‘King Lear’

Just three performances of the Shakespeare classic remain in Theatre Ventoux’s run. This taut adaptation, directed by Broderic Beard and starring Greg Taber in the title role, runs just 105 minutes including intermission.

One of this weekend’s big events is “The Big Tell” film contest (doors open 6 p.m., films start at 7, Friday, Oct. 20, Warnors Theater, 1400 Fulton St., Fresno). You’ll get the chance to see 10 winning short films that celebrate life in the central San Joaquin Valley, all screened in a festival format in a big movie theater -- and complete with a red carpet. The event is free. Tickets are not required, but you're encouraged to RSVP by registering here. [caption id="attachment_6785" align="alignnone" width="1200"]Filming Filmmaker Troy Ruff, whose work in "The Big Tell" is titled "59 Days of Code," at work on another project. Photo / Central Valley Community Foundation[/caption] Here’s a rundown: The idea: This is the inaugural “Big Tell” event, and it represents the Central Valley Community Foundation’s first major investment in the art of filmmaking. (One of the missions of the foundation is supporting the arts through grants.) “We have so many talented filmmakers in the Valley that we wanted to support them,” says Gretchen Moore, the foundation’s director of community engagement.

Every now and then a film comes along that divides critics (and the public) so rigorously that I want to become part of the larger discussion. “Mother!” fits the bill for me. This weird, violent, preening, metaphorically pugnacious and downright disturbing movie from director Darren Aronofsky is both loathed (The National Review’s Kyle Smith called it “the vilest movie ever released by a major Hollywood studio”) and admired (the New York Times’ A.O Scott, stressing the film’s creative energy and “highly symbolic, pictorially overloaded” style, said it made him laugh “harder and more frequently than just about any other movie I’ve seen this year.”) [caption id="attachment_5715" align="alignnone" width="1200"]Mother-Movie-Trailer-2017-Jennifer-Lawrence Put-upon wife: Jennifer Lawrence stars in "Mother!"[/caption] The granddaddy of bad reviews came from the New York Observer’s Rex Reed, who called it “the worst movie of the year, maybe the century.” Then, in a snub of the usual convention in which critics ignore the existence of others of their breed, Reed spent the rest of the piece bashing Scott’s Times review. He made particular fun of Scott’s use of the term “hermeneutic structure,” -- a reference to a scriptural or Biblical interpretation -- in an effort to out him, I suppose, as a pretentious intellectual.