Editor’s note: I’ve seen the national tour of “Rain” before, so I thought it’d be fun to get a younger perspective of the updated version that came through town last night. Paige Gibbs is a Fresno State journalism major in my advanced editing class. Here’s her take on the Fresno tour stop. — DM
By Paige Gibbs
Yes, I wasn’t born when “Sgt. Pepper’s Lonely Hearts Club Band” was originally released over 50 years ago.
The popular Beatles tribute show returns as part of the Broadway in Fresno series for one performance only. There’s a big date to celebrate: It’s the 50th anniversary of the release of “Sgt. Pepper’s Lonely Hearts Club Band.” The production promises updated sets, new LED and high-definition screens and multimedia content, along with a note-for-note performance of the album.
And here’s the best part: You can win a pair of tickets to the show (7:30 p.m. Thursday, April 12, at the Saroyan Theatre) plus dinner for two at the Cosmopolitan Tavern and free parking in the restaurant’s convention center lot.
To enter the giveaway, leave a comment on this post answering this question: Thanks to the nifty Munro Review Mostly Accurate Time Machine™, you get the chance to go back to 1967 to meet one (and only one!) of the Beatles. Which one would it be and why? (Assuming you don’t get sent back to the Paleozoic Era by mistake.) If you’re too shy to share your time-travel plans, just tell us why you’d like to go to “Rain.”
The Broadway in Fresno touring production continues for another performance on Thursday, March 15
“The Sound of Music” might be 58 going on 59, but it’s still got a lot of edel in its weiss. The national tour that opened at the Saroyan Theatre on Wednesday night (and continues for one more performance on Thursday) is a solid and amiable production of the beloved classic, complete with often charming renditions of the songs you know and love. A few thoughts:
The production is traditional without being stodgy. I’ve seen versions of “Sound of Music” that clunked along like a doddering church service, but this tour (directed by Matt Lenz based on original direction by Jack O’Brien) has a lively — even frisky — sensibility to it. Part of that has to do with the youngish cast. Capt. Von Trapp (played by a dashing Mike McLean) has an air of the handsome, misunderstood hunk about him, and there are nice affectionate sparks between him and Maria (an appealing and charismatic Jill-Christine Wiley), who seems genuinely rattled when her heart starts pitter-pattering faster than normal. (No worries in terms of the family-friendly front, however; this is no “Fifty Shades of My Favorite Things.”) With this youthful dynamic, there’s no danger of the love story straying into icky March-November romance territory, which sometimes occurs in the show with a much older Captain.
You can win a pair of tickets to opening night plus dinner at Cosmopolitan Tavern
UPDATE: Congratulations to winner Andrew Esquer.
ORIGINAL POST: When I catch up by phone with Keslie Ward, who plays Liesl in the national tour of “The Sound of Music,” she’s in Sioux Falls, N.D. Which is not the warmest place on the planet in February, particularly for someone who grew up in Texas. She’s happy that warmer California is on the horizon as the tour prepares for a two-night stand at the Saroyan Theatre (it opens Wednesday, March 14). Here are 5 Things to Know about Ward and the show.
Plus: You can win a pair of tickets to opening night and dinner at Cosmopolitan Tavern and free parking. See details at the end of this post.
She’s 24 going on 16.
But don’t worry: Ward is used to playing younger than she is. One of her gigs before the tour was working on a Disney cruise ship, where in one production she played a girl of 12. So pulling off an infatuated teen singing “Sixteen Going on Seventeen” is no big deal.
National tour features an impressive Jos N. Banks as Lola, and Cyndi Lauper’s songs are first-rate, but Harvey Fierstein’s book has some problems
“Kinky Boots” strutted into Fresno’s Saroyan Theater on Wednesday night with a happy bounce to its step and enough patent leather to stock a Jimmy Choo outlet store. The audience ate up the show’s crowd-pleasing, feel-good, mildly subversive message of inclusion, which includes a rousing declaration of “Just be who you wanna be!”
Some in today’s contentious political climate would likely waggle their jowls at the thought of a Broadway musical celebrating men who wear glamorous gowns, but, frankly, “Kinky Boots” is pretty mild as far as kinky stuff goes. As Lola (aka Simon), the proud female impersonator driving the plot of the show, proclaims: “Drag queens are mainstream!”
I saw the show on Broadway, and this non-Equity national tour feels more scaled down and less representative of its original New York production than, say, the impressive national tour of “Beautiful,” which wowed the Saroyan last fall. At the same time, however, this “Kinky Boots” has a bright, cheery vibe and lots of dazzle, and Cyndi Lauper’s buoyant score and lyrics soar. Here are some thoughts from opening night:
A well-played Lola: Jos N. Banks imbued Lola with a scrappy vulnerability that was an especially effective counterpoint to her brassy bravado. The show only really begins to heat up midway through the first act with the song “The Sex is in the Heel,” sung by Lola, and Banks offered a rousing rendition. Of all the actors in this production, Banks was most successful at making his character feel multidimensional on stage.
Jos N. Banks, who plays the role of Lola in the national tour of “Kinky Boots” (opening Wednesday at the Saroyan Theatre), is following in the footsteps of his idol Billy Porter
UPDATE: Congratulations to Chris Ortiz-Belcher, our “Kinky Boots” prize-package winner. In his entry, he wrote: ” ‘Kinky Boot’s is one of my favorite shows and I would pass out if I got to see it in person!” (No word on whether Chris lost consciousness this morning when he heard the news.)
ORIGINAL POST: Join with me for a few moments, if you will, to revel in the story of Jos N. Banks and his unlikely “Kinky Boots” journey. He went from “world’s biggest fan” of the actor playing Lola on Broadway to nabbing the role himself in the national tour of the show.
A bit of background is in order:
Banks, who studied musical theater in college, had long been an admirer of Billy Porter. The veteran Broadway actor originated the role of Lola, the empowered drag queen who winds up in a crazy scheme to save a failing English shoe factory by making thigh-high “kinky boots” for men. (Porter won a 2013 Tony Award for best actor in a musical for the show.)
Win a pair of tickets to opening night of “Kinky Boots” plus dinner at Cosmopolitan Tavern and free parking. See details at the end of this post.
Banks — gregarious and chatty when he answered my call while on tour with the show in Colorado — was also a fan of “Kinky Boots” the show itself. A resident of Chicago, Banks had seen a rehearsal for the musical, which features a powerhouse book by Harvey Fierstein and music and lyrics by Cyndi Lauper, in its pre-Broadway tryout in that city.
A special thanks to the cast of Selma Arts Center’s “Spring Awakening” for being my January guests on “The Munro Review,” produced by the Community Media Access Collaborative (CMAC). I interview director Dominic Grijalva and actors Kindle Lynn Cowger and Kai DiMino about the production, which opens Jan. 26, and host two musical performances from the entire cast. They sound great. You don’t want to miss it.
Plus, I recap my coverage of Good Company’s “A Christmas Carol,” Fresno State’s “Two Gentlemen of Verona,” CMT’s “Annie,” Good Company’s “Breaking Up is Hard to Do,” and Audra McDonald’s upcoming concert with the Fresno Philharmonic. And I preview Good Company’s “Sense and Sensibility” and “Annie,” tell you about a quirky little show called “Calculus: The Musical,” discuss the upcoming national tour of “Kinky Boots,” and give a shout-out to the Fresno Art Museum’s winter exhibitions.
You can watch the episode on demand on YouTube (above). And you can see it on broadcast TV on CMAC 1 (Comcast 93, AT&T 99) the following dates:
Monday, January 1 – 8:00 pm
Wednesday, January 3 – 8:00 pm
Friday, January 5 – 2:30 pm
Sunday, January 7 – 12:30 pm
To subscribe to the email newsletter for The Munro Review, go to this link:
Gaudy production of “Cirque Dreams Holidaze,” which continues through Wednesday at the Saroyan Theatre, can’t decide if it wants to be hip, weird or dark
I don’t mean to be a Grinch, but … a standing ovation for “Cirque Dreams Holidaze”? That was the scene on opening night at the Saroyan Theatre. I offer a minority viewpoint: In terms of warranting that kind of enthusiasm, this nog was a few eggs short.
Yes, I admit there were some impressive contortions of human bodies going on in this glittery national tour, along with a lineup of appealing aerial trapeze performances. And, yes, I thoroughly enjoyed several wonderful acts (including a quick-change costume routine that left me gaping and a deft and low-key “reverse juggling” experience that involved bouncing balls off the floor instead of throwing them in the air). But, overall, this show is sort of weird and even a little creepy, culminating in perhaps the most bizarre setting of the song “O Holy Night” that I’ve ever encountered. (The production continues Wednesday for one more performance.) Here’s my categorical rundown: