Every now and then a film comes along that divides critics (and the public) so rigorously that I want to become part of the larger discussion. “Mother!” fits the bill for me.
This weird, violent, preening, metaphorically pugnacious and downright disturbing movie from director Darren Aronofsky is both loathed (The National Review’s Kyle Smith called it “the vilest movie ever released by a major Hollywood studio”) and admired (the New York Times’ A.O Scott, stressing the film’s creative energy and “highly symbolic, pictorially overloaded” style, said it made him laugh “harder and more frequently than just about any other movie I’ve seen this year.”)
The granddaddy of bad reviews came from the New York Observer’s Rex Reed, who called it “the worst movie of the year, maybe the century.” Then, in a snub of the usual convention in which critics ignore the existence of others of their breed, Reed spent the rest of the piece bashing Scott’s Times review. He made particular fun of Scott’s use of the term “hermeneutic structure,” — a reference to a scriptural or Biblical interpretation — in an effort to out him, I suppose, as a pretentious intellectual.