In his debut book of poetry, Fresno City College alum uses boxing as a literary device
Boxing is in Joseph Rios’ blood. So is poetry.
Which makes the location for the launch party celebrating “Shadowboxing: Poems and Impersonations,” his debut poetry book, rather appropriate.
Rios will give a reading 7-9 p.m. Thursday, Oct. 19, at Heartbeat Boxing, 155 Van Ness Ave., Fresno.
“It will be my first time reading from a boxing ring,” he says.
The Los Angeles resident grew up in the Fresno area and has strong ties to his hometown. The book uses an autobiographical-style central character named Josefo, a Chicano adolescent working and becoming a poet in the farm territories of Central California. In a daring stylistic move, Rios borrows the poetic language found in boxing lore and in the “Rocky” films.
The New Yorker praises Fresno poet’s ‘Afterland,’ a piercing look at the Secret War in Laos
Let’s take a moment and revel with Fresno’s Mai Der Vang, whose poetry continues to get the kind of career-boosting national attention that could amplify her into a major voice. The latest pronouncement is a laudatory review in the New Yorker.
Critic Dan Chiasson makes Vang’s new book, the haunting and powerful “Afterland,” the leading item in a roundup of two “remarkable, virtuosic collections from young poets.” Vang’s book, published by Graywolf Press after she won the 2016 Walt Whitman Award, the nation’s most valuable first-book prize for a poet, is a complicated reflection on the “Secret War” in Laos during the Vietnam War era.
When I interviewed Vang in April when “Afterland” was released, I asked her if the title alludes to ancestors in the Hmong perception of life after death. Or does it have to do with refugees traveling to a new home?
I think “Afterland” can be any place, terrain or geography in the aftermath of a crisis or conflict. It can be an individual experience or a collective experience rooted in a people’s historical memory. It certainly has to do with the after-place of the refugee, but it also has to do with the after-place of that post-war country from which the refugee has just fled. And in the obvious sense, I found myself also exploring the after-place of the spirit.
Juan Felipe Herrera celebrates the end of his term as U.S. poet laureate with a memorable Fresno State concert
The event: Fresno’s Juan Felipe Herrera, the 21st poet laureate of the United States, was back in town Tuesday with the Fresno State Chamber Singers to reprise the closing concert at the Library of Congress that marked the end of his term.
The man of the hour: Herrera has a special knack when dealing with official occasions and the various rituals afforded an artist of his stature. He knows how to never underplay the dignity of a ceremonial moment. He can come across as refreshingly relaxed and informal, but there’s a certain gravitas and authority there, too, a reflection of his ability to get along with the establishment but also give it a bit of a hard time. On this evening at the university’s Concert Hall, he’s dressed in a casual bone-colored sports jacket, bright plaid shirt and a cheerful white hat.
The format: Most poets treat a reading as something to do in a single voice. Herrera wanted a choir. Benjamin Boone and Kenneth Froelich, both Fresno State music composition professors, teamed up with the poet, setting the words to music. Then the university’s Chamber Singers, under the direction of Cari Earnhart, brought the resulting songs to life at the Washington, D.C., concert. “This is a dream that I had as a child,” Herrera tells the audience before the Fresno event begins. “It’s about standing up, facing the people, giving a voice to the people.”