Know the wonder of Selma’s ‘Spring Awakening’

Provocative production offers a fresh and inspired take on the 2006 Broadway musical

THEATER REVIEW

Are these the days of “Purple Summer” for the Selma Arts Center?

They very well could be. The company’s current production of “Spring Awakening” is inspired. It crackles with a sense of creative energy and cohesion that suggests art at the highest level. Even in those occasional moments when the sense of assuredness falters — whether by individual performances, creative decisions that don’t quite work or technical flaws — the overriding feeling is one of focus and intensity that gives the provocative material an added sizzle.

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Kai Di Mino, seated, plays Melchior in “Spring Awakening.” Photo / Selma Arts Center

I opened the doors of the theater after the opening-weekend performance I attended and marveled to myself: I can’t believe a production this edgy and this good is happening on sleepy High Street in downtown Selma.

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He’s all grown up: Dominic Grijalva muses on a special ‘Spring Awakening’

With “Spring Awakening,” this might be director Dominic Grijalva’s final opening weekend at the Selma Arts Center. Which is a sad thing for Selma, but a great opportunity for wherever his new adventures might take him. Over the last few years, the talented Grijalva has done much to raise the profile and level of productions in Selma. He’s even gotten some big-name help from a friend of his — none other than “Hamilton’s” Lin-Manuel Miranda — to help make “Spring Awakening” happen.

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Director Dominic Grijalva at a recent “Spring Awakening” rehearsal. Photo / Selma Arts Center

In my main preview piece about the show, I talk with Grijalva and actor Kindle Cowger about a specific theme: how the provocative sexual storyline fits in with the current #MeToo movement. But I also want to share with you some of the other interesting topics I covered with Grijalva about “Spring Awakening,” including getting down to the bottom of the story of that very famous sponsor.

Q: Books and knowledge play a fascinating role in your concept for the show. Tell me how they fit in.

A: A lot of the misfortunes that come to each character in the play steam from a lack of exposure, and some from the overwhelming presence and dictatorship-like control the grownups have over the children. In developing a concept for this production, the one image that kept coming to mind was that of a huge library where the kids felt prisoner to the rules and regulations that the adults force upon them.

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