In ‘Hold This Stone,’ a generation keeps important memories alive

Nikiko Masumoto and Brynn Saito open an innovative theater piece about Japanese-American internment camps in World War II

Nikiko Masumoto and Brynn Saito are yonsei, or fourth generation Japanese Americans. They’ve often talked about the reality that theirs will likely to be the last generation to know family members who lived and survived through the American internment camps of World War II.

In “Hold This Stone,” an innovative theater piece scheduled for just two performances this weekend (it opens Thursday, Nov. 9, at the Fresno Soap Co.), the two friends and artists collaborate to explore the ramifications of memory — and more. I caught up with Masumoto to talk about the show (which is sponsored by CURTAIN 5 TheatreGROUP) and the Yonsei Memory Project, which she and Saito founded.

Brynn Saito poses at the monument to Japanese Americans at Simonian Farms.

Q: When you were growing up, how much did you know about the incarceration of Japanese-Americans during World War II? How old were you before you got the complete story?

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Donald’s list: Weekend choices (Sept. 29)

Choices include ‘The Tempest’ at Fresno Soap Co., chamber music at Keyboard Concerts and ‘Scoundrels’ in Visalia

Here’s a roundup of promising cultural/arts picks for the weekend:

‘The Tempest’

Think you’ve already seen “The Tempest”? Probably not with an all-women cast. An enthusiastic band of actresses take on the challenge of Shakespeare’s island-adventure comedy in a production that opens Friday, Sept. 29, at the Fresno Soap Co.

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An all-women “Tempest”: Bridget Paul (Ferdinand), Casey Ballard (Prospero), and Paige Tucker (Miranda). Photo / provided

The performers bring to life all the characters in the play: men, women and all those famous other-worldly characters. (Plus, there’s one inanimate object making a debut: Stephano’s companion, Trinculo, is a hand-puppet.)

The cast includes Bridget Paul (Ferdinand), Casey Ballard (Prospero), Paige Tucker (Miranda), Patricia Fretwell (Alonso), Sara Smith (Antonio), Kayla Weber (Caliban), Tania Haigounian (Stephano with Trinculo) and Kathie Mollica (Gonzalo).

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A charged ‘R&J’ puts a spin on Verona

Curtain 5 production of Joe Calarco’s adaptation of “Romeo and Juliet” is ending soon at Fresno Soap Co.


Blink and you might miss the stellar “R&J,” a CURTAIN 5 TheatreGROUP production at the Fresno Soap Co., which finishes up its brief one-weekend run with a 7:30 performance tonight (Saturday, Aug. 12) and a 2 p.m. matinee on Sunday, Aug. 13. This intriguing adaptation by Joe Calarco of Shakespeare’s “Romeo and Juliet” imagines four boys in a strict Catholic high school who perform their own modified version of the tragedy after hours. Having a male play the role of Juliet adds a gay angle to the storyline — and it’s one that’s amplified and celebrated — but it’s also an interesting nod to the tradition of having young boys play female roles in Shakespearean times.


Director J. Daniel Herring creates two snugly believable worlds on stage using nothing more than a few wooden benches, a bright-red tablecloth and a smattering of hasty props used by the boys, including a bottle of what looks like prescription cough syrup for Romeo’s death scene. There’s the school itself, squared off by those benches, in which order and discipline prevail. And there’s the Verona of the play, a Wild West of two warring families, in which love seems bigger and danger seems brasher than anything a bored schoolboy could ever imagine. One of the most fascinating things for me is when the two worlds of the play bump into and bleed into each other. In the heady moments of love at first sight between Romeo (Steven Lee Weatherbee) and Juliet (Aaron Lowe), the reaction of the other two actors on stage (Sam Linkowski and Anthony teNyenhuis) is hard to pin down: Is the taboo they’re reacting to the scandal of a Montague falling for a Capulet, and vice versa? Or is it the realization that same-sex attraction is part of their schoolboy circle? At what point are these characters participants in a Shakespearean drama and when are they standing outside it, projecting their own contemporary attitudes onto the moment? It’s the ambiguity of it all that keeps things taut and engaging.

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Elephants and martinis: All in a night at Curtain 5

Two original one-act plays get their premiere at the Fresno Soap Co.

UPDATE: Director Jerry Palladino on Facebook Friday night announced the cancellation of all remaining performances of this production because of “unexpected issues with the staging of ‘The Elephant in the Room’ . . . My apologies for and disappointments for our patrons and Samantha Perez, our student writer.”


ORIGINAL POST: The summer theater season is heating up with the CURTAIN 5 TheatreGROUP’s new production of the one-act plays “The Elephant in the Room” and “Martinis and Malice” at the Fresno Soap Co. (Thank goodness the air conditioning in the theater is working again.) Here are five things to know.

Noel Coward homage: Art and Charlene Cano play Vincent and Cynthia in Curtain 5’s “Martinis and Malice,” directed by R.S. Scott. Photo / CURTAIN 5 TheatreGROUP


Think original. Both plays are premieres of original new works, which Curtain 5 has been delivering in abundance since its first season in 2015. Artistic director Jerry Palladino is a passionate advocate for emerging playwrights.


There’s a lot of young talent out there. “The Elephant in the Room” was written by Samantha Perez, a senior at Roosevelt High School. She was one of four student playwrights who wrote original works in a 2015 student writing competition sponsored by the company for Kathryn Koch’s student playwriting class.

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