Now streaming: the January episode of ‘The Munro Review’

A special thanks to the cast of Selma Arts Center’s “Spring Awakening” for being my January guests on “The Munro Review,” produced by the Community Media Access Collaborative (CMAC). I interview director Dominic Grijalva and actors Kindle Lynn Cowger and Kai DiMino about the production, which opens Jan. 26, and host two musical performances from the entire cast. They sound great. You don’t want to miss it.

Plus, I recap my coverage of Good Company’s “A Christmas Carol,” Fresno State’s “Two Gentlemen of Verona,” CMT’s “Annie,” Good Company’s “Breaking Up is Hard to Do,” and Audra McDonald’s upcoming concert with the Fresno Philharmonic. And I preview Good Company’s “Sense and Sensibility” and “Annie,” tell you about a quirky little show called “Calculus: The Musical,” discuss the upcoming national tour of “Kinky Boots,” and give a shout-out to the Fresno Art Museum’s winter exhibitions.

You can watch the episode on demand on YouTube (above). And you can see it on broadcast TV on CMAC 1 (Comcast 93, AT&T 99) the following dates:

Monday, January 1 – 8:00 pm
Wednesday, January 3 – 8:00 pm
Friday, January 5 – 2:30 pm
Sunday, January 7 – 12:30 pm


To subscribe to the email newsletter for The Munro Review, go to this link:

https://tinyletter.com/donaldfresnoarts

Of monsters and men

Selma Arts Center offers an accomplished production of “The Hunchback of Notre Dame”

THEATER REVIEW

He becomes a hunchback before our eyes. One instant Thomas Hayes is standing straight, tall and unblemished, and then, in a few measures of song and with a few key costume additions, including a strapped-on hump that looks as if he’s slinging on a small backback, and some smears of black makeup, we are introduced to Quasimodo.

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Powerful performance: Thomas Hayes plays Quasimodo in “The Hunchback of Notre Dame.” Photo / Selma Arts Center

I like this moment of theatricality in the ambitious and sensitive new production of “The Hunchback of Notre Dame” at the Selma Arts Center. The transformation reinforces the lyrics: “Who is the monster and who is the man?”

Indeed, who is the “monster” in this classic tale? The disfigured and physically impaired young man with a pure heart and a longing to commune with others? Or the preening and pious “man of God,” the archdeacon of none other than the great cathedral of Notre Dame, whose unbridled lust and cruelty destroys lives?

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10 Things to Know About Selma Arts Center’s ‘Hunchback’

Medieval Paris is built on stage in new production of “The Hunchback of Notre Dame”

The Selma Arts Center has recreated many settings in the world for its plays and musicals. But one of the most challenging has to be Paris’ iconic Notre Dame Cathedral. That’s the main location for the company’s new offering of “The Hunchback of Notre Dame,” which opens Friday, Nov. 17, in an ambitious production.

There’s a lot to unpack about this Disney musical featuring songs by Alan Menken, which is loosely based on the 1996 film. The title has recently been made available to community theaters. Children’s Musical Theaterworks offered the premiere youth production in July; now Selma tackles the title with an all-ages cast. I checked in with directors Dominic Grijalva and Juan Luis Guzmán, who collaborated on their answers, to come up with 10 Things You Should Know About “Hunchback.”

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Terry Lewis, left, as Frollo, and Thomas Hayes, as Quasimodo, in “The Hunchback of Notre Dame.” Photo / Selma Arts Center

1.

The set is a biggie.

Designed by Erik and Nicolette Andersen and built by Erik Andersen and Ken Grey, the set posed many challenges.

Continue reading “10 Things to Know About Selma Arts Center’s ‘Hunchback’”

Donald’s list: Weekend choices (Oct. 20)

Here’s a roundup of promising arts/culture picks for the weekend:

Drive-through

All eyes on Saturday will be on the Fulton Mall — whoops, Fulton Street, and it will be a while before I can train myself to automatically say that — for the official ribbon-cutting and opening celebration. This isn’t just an event; it’s an historic occasion. I remember when I came to Fresno more than 25 years ago for my job interview, and my future boss took me to lunch at the Downtown Club, pointed in the direction of the mall, and told me, “We hope this can be revitalized soon.”

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Photo / Downtown Fresno Partnership

So, decades later, change is in the air. I’m crossing my fingers.

Bethany Clough has a nice list in The Bee of pop-up stores and restaurants that will line the street for the 3 p.m. ribbon cutting at Fulton Street and Mariposa Mall. Most will be open until 10. (It’s nice to see the Fresno Art Museum on the list with a wine/shopping option.) There will be two beer gardens and three stages for live music.

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Donald’s list: Weekend choices (Aug. 25)

Three theater openings this weekend at Good Company Players, Selma Arts Center and River City Theatre Company

Here’s a rundown on promising arts/culture picks for the weekend:

Suddenly Sherlock

You’d get a little antsy, too, if you inherited a grand English estate that includes a scary beast with glowing eyes determined to chew you to a pulp. That’s the premise of “The Hound of the Baskervilles,” a Sherlock Holmes thriller in its opening weekend at Good Company Players. After talking with director J.J. Cobb, I offer with five things to know about the show:

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Elementary casting: Gordon Moore as Sherlock Holmes in “The Hound of the Baskervilles.” Photo / Good Company Players

1. For Gordon Moore fans, it’s a must-see. Moore plays Sherlock Holmes. He’s a longtime GCP veteran actor, and if you’ve seen him in enough shows, the role seems like perfect casting. Holmes, with sidekick Dr. Watson (Henry Montelongo) arrives at the estate of Sir Henry (Alex Vaux) in Devonshire, England to help solve mysterious deaths all linked to a gigantic, demonic hound. Adding to the intrigue: a set of servants with questionable loyalties and several peculiar neighbors.

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StageWorks is bringing ‘Fun Home’ to Fresno

The company announces its 2018 season, which includes “The Fantasticks.” Plus: recaps from CURTAIN 5 TheatreGROUP, Shine! Theatre, the Selma Arts Center, College of the Sequoias, Children’s Musical Theaterworks, Good Company Players, Fresno City College, Fresno State and Reedley’s River City Theatre Company.

UPDATE 6 (Sept. 27): The CURTAIN 5 TheatreGROUP cancelled its production of “Frida” at the Fresno Art Museum.

UPDATE 5 (Sept. 12): I’ve added the Fresno State theater season, which originally had its own post in May, into this roundup.

UPDATE 4 (Sept. 11): I’ve added the remainder of the 2017 season for CURTAIN 5 TheatreGROUP.

UPDATE 3 (Sept. 4): I’ve added the 2017-18 season for Shine! Theatre.

UPDATE 2 (Aug. 28): I’ve added the 2018 season for the Selma Arts Center.

UPDATE 1 (Aug. 13): I’ve added the seasons for Children’s Musical Theaterworks and Visalia’s College of the Sequoias.

ORIGINAL POST: Stop the digital presses: StageWorks Fresno has snagged the rights to perform “Fun Home: The Musical.” The show was nominated for an impressive 12 Tony Awards in 2015 and won five, including best musical.

In “Fun Home,” composer Jeanine Tesori and writer-lyricist Lisa Kron transform the cartoonist Alison Bechdel’s popular graphic-novel memoir, subtitled “A Family Tragicomic,” into a spare and beautiful musical.

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National tour: “Fun Home” continues on the road through the end of the year. A local production opens June 29 in Fresno. Photo / “Fun Home” tour

Bechdel’s adult self is narrator, looking back at herself as a 9-year-old navigating through childhood and as a 19-year-old college freshman embracing the fact she’s lesbian.

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When your prom goes wrong

Selma Arts Center’s local premiere of “Carrie: The Musical” bristles with menace and power, but some aspects of the production are fumbled

THEATER REVIEW

The Selma Arts Center production of “Carrie: The Musical” can feel volatile and unsettled, like the charged air in an electrical storm. In many ways that’s a good thing. When your narrative is dominated by a mercilessly teased girl whose nascent telekinetic powers are sparked by rage, the last thing you want is a production that comes across as tidy and restrained.

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Mommie dearest: Carly Oliver offers a viscerally charged performance as Margaret White in “Carrie: The Musical.” Photo / Selma Arts Center

A big part of this dynamic is Abigail Halpern, the 16-year-old Buchanan High School student who plays Carrie White. Her voice is wonderfully strong and rattling in its intensity, but it can also be less than fully controlled. From the moment Halpern belts out her first long, sustained solo note, I felt I was in the presence of someone who doesn’t realize her own power, which seems perfect for the role.

The show’s direction and creative design also demonstrate many of the same unsettled tendencies. Unfortunately, this isn’t as positive a quality. At the opening night performance I attended, some of the basics were fumbled: sloppy and far too lengthy transitions between scenes; inopportune choices in lighting design; a few awkwardly blocked scenes; some clunky moments in which characters seem directionless.

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There will be blood

In the Selma Arts Center local premiere of “Carrie,” a 1970s horror tale tackles contemporary themes of fitting in and bullying

THEATER PREVIEW

Chris Hargensen is the bad girl in “Carrie: The Musical.” The character is the evil string-puller in her high school, the alpha-female ringleader who manipulates her fellow students into participating in the most infamous prom-night stunt in horror history. Early on, in the song “The World According to Chris,” she belts out her eat-or-be-eaten philosophy of life:

Guess what, ever since the world began
Same plot, everyone’s been dumping on their fellow man
Pounding people they feel better than

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Righteous hand: Carly Oliver plays the mother in “Carrie: The Musical.” Photo / Selma Arts Center

Imani Branch, 18, who plays Chris in the new Selma Arts Center production of “Carrie,” which opens Friday in a central San Joaquin Valley premiere, was taken aback the first time she truly soaked up the cruel machinations and hurtful things said and sung by her character.

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